Feature Baroque German 4th hole-5th hole size order small-large large-small F fingering Thumb, 1, 2, 3, 4, 6, 7 Thumb, 1, 2, 3, 4 F# and Bb fingering Fairly simple More complicated Tuning In tune across accidentals Loses pitch across accidentals Consistency across sizes Same fingers for all recorders Different for each size Available resources Tons of resources Very few Good Keys To Play In C, F, G (others are OK) C, F (G is OK, others are hard) Related Questions Putting them together head-to-head, here’s what you have. But the fingerings and help offered by the resources are almost exclusively baroque. Sheet music stays the same for all soprano recorders too regardless of baroque or German design. Worse, when you learn these on a soprano recorder, they’re all different depending on the other sizes. However, the accidentals for these recorders get all messed up as a result.į# The German soprano recorder goes to the thumb, 1, 2, 3, 5, 6, (half hole) 7 for perfect tuning.īb on the German soprano recorder goes to thumb, 1, 3, 4, 6.īeyond these common accidentals are even more half coverings and skipping fingers. This logical pattern follows on the different sizes of German recorders. Switching between diatonic pitches becomes much more simple and logical for new players. This takes away almost any struggle for new players to learn how to finger this note. The German recorder was designed specifically to be easier to learn for new players.Īs a result of its design, all natural pitches are fingered sequentially. These recorders use a large-small pattern for the 4th and 5th holes on their recorders. German recorders come from…you guessed it… Germany. This is clearly the case with lower end, student models, but it’s evident in higher-end models as well, though to a lesser degree. No need to learn anything new, just pick it up and go.įrom my own experience, the accidental pitches (all flats and sharps) tend to be more in tune with baroque recorders. The other main plus is how all baroque recorders use the same fingerings for all notes regardless of size.Īn F# on soprano is the same as an F# on tenor. This is especially true with F# and Bb, but the others are easier as well. The baroque style also results in easier accidental fingerings. Other Pluses For Baroque Recordersīut it’s important for you to be aware of the positives too. To be honest, this is the reason why some people opt for using German-style recorders. This sounds like a big pain when it comes to teaching and playing. Without getting into the specifics of extreme mathematical acoustic calculations, this design does several important things.įirst and most noticeably, the note F (natural) loses the sequential fingering pattern.įor all natural notes up to and excluding F, the fingerings just add another note.įor a visual, check out our recorder fingering chart for beginners. The defining feature of this design is in the 4th and 5th holes.īaroque recorders use a small 4th hole and a large 5th hole. The baroque recorder’s design goes back to the Baroque musical period during the recorder’s most popular days. The difference between the two isn’t on size, but on design. It’s much more common than the German recorder. The baroque recorder is the traditional recorder you think of when you picture or see a recorder. Final Thoughts What Is A Baroque Recorder?.
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